Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Angelika Kauffmann
Selbstbildnis in Landschaft

ID: 45082

Angelika Kauffmann Selbstbildnis in Landschaft
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Angelika Kauffmann Selbstbildnis in Landschaft


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Angelika Kauffmann

1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Bildnis Lady Frances Anne Hoare | Telemach auf der insel der Kalypso | Georg Siegmund Facius nach Angelika Kauffmann Odysseus entdeckt Achill unter den Tochtern des Lykomedes | Selbstbidnis am Scheideweg zwischen Musik und Malerei | Kopie nach Joseph Hickel Kaiser Joseph |
Related Artists:
Joseph Raphael
1869-1950 Joseph Morris Raphael holds a high place in the California, American and French Schools of Impressionism. Born in the town of Jackson, California on June 2, 1869, Raphael became one of the most famous students of his esteemed teacher Arthur F. Mathews at the California School of Design. Later Raphael would continue his art studies in Paris at the Ecole des Beaux-Arts, and at the Academie Julian under Jean-Paul Laurens. Early in his career he made the decision to settle in Europe in Uccle, Belgium where he and his wife established a home and raised their family. For most of his career he remained a devoted follower of pure French Impressionism. He painted the countryside near his home in Uccle, Belgium and also ventured to Holland and France to paint. Just as Raphael's international reputation grew, his family grew as well to include four daughters and one son. His family frequently appeared in his figurative works, he created wonderful closeup studies of his children and frequently captured them in leisurely picnic settings. Other paintings featured local landscapes, and sometimes his charming cottage home with its vegetable and flower gardens which were perhaps a source for his still lifes of fruits, vegetables and flowers. He lived and worked in Europe for thirty-seven years always maintaining close ties with the San Francisco art community and his loyal art dealer and collector Albert M. Bender. In 1939 with the ominous clouds of World War Two approaching, he wisely chose to return to San Francisco where he lived and maintained a studio on Sutter Street until his death on December 11th, 1950.
Adrien Dauzats
French Academic Painter, 1804-1868,French painter, illustrator and writer. His early training was as a theatrical scene painter and a designer of lithographic illustrations. In Bordeaux he studied with Pierre Lacour (ii) (1778-1859) and worked with Thomas Olivier (1772-1839), chief scene designer at the Grand-Thetre. He subsequently studied in Paris in the studio of the landscape and history painter Julien-Michel Gue (1789-1843) and worked for the decorators of the Thetre Italien.
Konstantin Somov
Russian Symbolist Painter, 1869-1939 Russian painter and graphic artist. He was the son of a curator at the Hermitage, and he attended the St Petersburg Academy of Art from 1888 to 1897, studying under the Realist painter Il'ya Repin from 1894. In 1897 and again in 1898-9 he went to Paris and attended the studios of Filippo Colarossi and of Whistler. Neither the Realism of his Russian teachers nor the evanescent quality of Whistler's art was reflected for long in Somov's work. He turned instead for inspiration to the Old Masters in the Hermitage and to works of contemporary English and German artists






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